Bruce

Sculpture

$1900



Inventory#: SWA-069

Monica

Sculpture

$2800



Inventory#: SWA-068

Lavender Fields II

Oil

8x10 Inches

$800



Inventory#: SWA-067

A Light After the Storm

Oil

9x12 Inches

$900



Inventory#: SWA-066

Red Means Stop

Oil

26x26 Inches

$2800



Inventory#: SWA-064

Field Lines

Oil

11x14 Inches

$1100



Inventory#: SWA-063

Where Lavender Is

OIl

20x20 Inches

$2100



Inventory#: SWA-062

White Trunks & Taffy Trees

Oil

18x36 Inches

$2900



Inventory#: SWA-061

Yellow Fields

Oil

24x24 Inches

Sold

Country Lane

Oil

18x24 Inches

$2300



Inventory#: SWA-058

Mountain Lake

Oil

9x12 Inches

$900



Inventory#: SWA-056

Fall Monotone

Oil

6x12 Inches

$800



Inventory#: SWA-055

View From the Top

Oil

6x12 Inches

Sold

Afternoon Path

Oil

6x8 Inches

$650



Inventory#: SWA-045

Finding Spring

Oil

12x12 Inches

Sold

Blaze

Oil

36x39 Inches

$6300



Inventory#: SWA-041

Blue and Gold

Oil

16x16 Inches

Sold

Three Aspens

Oil

9x12 Inches

$900



Inventory#: SWA-024

Spires

Oil

18x24 Inches

Sold

Color Study 3

Oil

6x12 Inches

$800



Inventory#: SWA-028

Ogden Train Depot

Oil

19x15 Inches

$1900



Inventory#: SWA-022

Orange Notes

Oil

8x10 Inches

Sold

Windbent

Oil

12x24 Inches

$1800



Inventory#: SWA-013

Simon Winegar

“Creating moods that are often romantic and thought provoking, Simon Winegar’s tonalist landscapes are meant to provide collectors with a view of the world that runs counter to some of the more negative versions of it that are found in today’s culture. Sometimes it seems like we live in an ugly, unforgiving world,” says Winegar. “So the point of what I do is to attempt to beautify the world. I want to create a mood that moves the viewer.”

Simon Winegar was born in Utah in 1979 and grew up in the suburbs of Salt Lake City. Believing to be an artist since birth, some of his first memories are of Crayola crayons and Watercolor paints. “Not a Christmas went by that we kids didn’t get a new set of watercolor paints and pad of construction paper. My mother, though not a professional artist herself, is really the one who planted the seeds of art in our minds at a very young age. I also owe some of my early beginnings to my older brother Seth. We spent much of our free time drawing and painting, since he was older, he was always a little more advanced than I was. I learned a lot from him, as he learned from others. His road to becoming an artist helped me understand art processes, as much through his mistakes as through his successes.” Simon also feels that he owes much of his education to personal study and workshop classes. “I read a lot. I think finding great art books, and applying what they teach, can be one of the greatest tools at an artist’s disposal. It enables an artist to ponder and review over and over again the fundamentals and philosophies of art. What better way to excel than by standing on the shoulders of the giants that have gone before us?”

Since entering the market in 2000, Winegar’s work became at once respected and honored. He has been featured in many magazines, books and art venues that have shown his work in a light of professionalism and quality. His work shows in some of the most respected galleries in the United States and has been seen in almost a dozen one-man-shows to date. Winegar’s art has also adorned the walls of the Springville Art Museum, The Museum of Church History and Art and the International Museum of Contemporary Masters of Fine Art.

While known mostly as a landscape painter, Winegar doesn’t limit himself to this subject alone. He can be seen painting figure, still life, seascape, and historic works of art–anything that inspires him. “There is so much to learn and explore in the world, I don’t see why anyone would limit themselves artistically without a good reason. I think it is important to try new things and always be growing as an artist. Without this continual stimulation and growth, the artistic mind becomes stagnant.”